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Birdsong
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For Rent
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Embrace
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Embrace
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Timberline Transactions
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Attachments
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Walking the Keys
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The Wrong Trousers
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Polyptych of Ontological Discontents
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Polyptych of Ontological Discontents
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Black as the Ace of Spades
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Housebound
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When the Penny Drops
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Green and Pleasant Land
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Orpheus Enchanting the Animals
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It Just Ain’t Pretty
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Good Riddance
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Birth of Venus
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Not Quite out of the Woods (Diptych)
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Points of Intersection
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Milk of Heaven
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Earth and Sky
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Winter Weltanschaaung
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Underwood
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Syphonaptera Deus
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Tears at the Enigma of Arrival
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Nerfous Energy
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Hardball Heaven
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Peace Process
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Nothing Between Us
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At One With the Rising Waters
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Latter-day Ronin
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Latter-day Ronin
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Northern Exposure
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Counting Sheep with The Elephant in the Room
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Night and Day
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The Fall of a Sparrow
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The Station Master
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Wotan! Gemahl! Erwache!
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Voices
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Sunspot Activity
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Mock Tudor
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Half the Man
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Drawing Lessons
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Tête-à-Tête
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No Improvement
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Lightning Strikes Twice
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When the Boat Comes in
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Master Scraper
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Hare and Cowboy
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Enigma of Arousal
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Abduction
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It’s all in the Game
Heteroglyphs 2009-2014
“He recalls having sat there in days gone by, days so remote he doubts whether he really experienced them. It may have been someone on my behalf, perhaps with the same face and name, but some other person.”
“Heteroglyph” is a word I coined for “assemblage” to distinguish my purposes from those of better-known exponents like Grosz, Schwitters, Marisol and Rauschenberg. Most of the Heteroglyphs are wall-mounted and the earlier ones are typically much larger than those that were made from 2016-18. Most consist of components mounted on a backboard, which can be as simple as a thick piece of plywood but include, plastic, metal, paneling from a piano, chair seats and sides, polystyrene foam and printer components. Among fragments attached to these surfaces, ceramic limbs and heads - pre-modelled are nearly ubiquitous. The rest is mostly found objects or fragments thereof.