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Not Negotiable
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The Mythical Origins of Breast Envy
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Faltering Cabbages
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Crude Prospekts II
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Chiaroscuoro
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Winging It
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Return Leg
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Flesh Wounds or Dilemma of the Station Master
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Return to the Nest
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Attack on Black
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The Yellow Boat
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Thus We Always See the Same Face
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Island of Wooden Shoe Trees
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Half the Man
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Birdsong – At What Cost?
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Camera Obscura
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Prime Mover
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Electra
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Supplicants
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Tipping Points
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Holy Cow II
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Threesome with Tires
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Station Master
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Sand Dollars
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Baltic Bragging Rights
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Over the Moon and Under the Bus
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Wonton’s Craving
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Ill-Disposed
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Against the Grain
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Why Poland?
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Vagina-envy
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More Mortis Interuptis
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Benedict’s Slippers
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Waiting for the Conversion
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From Russia with Love
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Stenographer’s Daughter
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Die Groste Schau Der Welt
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Davy’s Gray
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Prosthetic Aesthetic
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Cross-Gartered
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Twilight Destinies
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Annunciation Double Header
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Valhalla Erwache
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No Improvement Until the Cows Come Home
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Head to Head
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Caught in the Crosshairs
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Ugh!
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Abduction or Adduction
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Optical Center
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Not Negotiable
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Measure, Meter, Maya, Matter
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Island of the Head II
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Return of the Rebel Angels
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Chamber Piece
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Expulsion of the Muses
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Europa
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Europa (Detail)
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Bear or Beaver
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Bear or Beaver (Detail)
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Eye of the Needle
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Eye of the Needle (Detail)
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Slight Mis-steps
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Minding the Gap
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Guardians
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Nosing About
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Diana and the Hunter Gatherer
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The Observed of All Observers
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We Love Turlock
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While Rome Burns
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The Sleep of Unreason
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The Love Song of John Heartfield
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Invitation to a Hanging
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Chiaroscuro
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Pop Goes the (W)easel
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Backed Like an Elephant
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If You’re Hurtling Down to Lisboa
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Hope For the Wrong Trousers
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Housebound Harmonics
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Birdsong Unheard
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Hand in Glove
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Eye Witness
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Planning Meeting
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A Thomson Gazelle
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Another Gift
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Rip Bride
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Quantitative Reflex Suppression
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Down to a Sunless Sea
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Yes
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Those Feet
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Ruby and the Captain
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Distance Learning
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Tudor Breath
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Digging Permitted on Any Location Without a Legend
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Her
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The Wrong Trousers
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The Wrong Trousers (Detail)
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Solar Panels
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Solar Panels (Detail)
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If It Be Now
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If It Be Now (Detail)
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The Origins of Milky White-on-White Suprematism in the Portraiture of Saint Luke
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The Origins of Milky White-on-White Suprematism in the Portraiture of Saint Luke (Detail)
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Reading to a Dying Horse
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Reading to a Dying Horse (Detail)
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Whatever happened to Mortality?
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Whatever happened to Mortality? (Detail)
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Come Hell or High Water
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The Nose - Always Visible to the Naked Eye
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Lightning Strikes Twice, Twice
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Lightning Strikes Twice, Twice (Detail)
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Eyes Closed
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Royal Patronage
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Diminish Here
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Nothing Between Us
Retroglyphs 2018-2021
“Because these works entail various forms of pictorial representation, there is no forthright declaration of the authority of the object-as-object, but there is always a subtle restaging of the dialectical tension between objecthood and its hypercoded opposite, with human outcomes that are provisional and far from certain.”
The Retroglyphs are all derived from the Heteroglyphs and are named for looking back at them. All of these are worked over the top of digital photographs of Heteroglyphs, printed on handmade paper. In addition to printer-ink they typically include collage, colored pencil and acrylic paint. Some Retroglyphs include fragments of Serigraphy and some largely consist of a Serigraph derived from the digital photographs.