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Crude Prospects
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Upstream Vacation
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The Lion’s Share
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Zebra
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Zebra
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Zebra
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The Black Bull
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You Won’t See Me (Self Portrait as Road Kill)
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Not Making the Cut
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Not Making the Cut
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Pop Goes the Weasel
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Visitation
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Car
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Woman Strident
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Charioteer
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Bison
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Okapi
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Women Watching the Water
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Hung Out to Dry
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Bhupen Dreams of Albion
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Red Oak Face-Grosz
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Friends
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Frabjous Day
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Frabjous Day
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Slide from Grace
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The Nag’s Head
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Illusions of Buoyancy
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Friendly Fire
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Smoking Gun
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Bus Number 53
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Submarine
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Louis
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Reaching Out
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Puffer Fish, Wind and Water
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Puffer Fish, Wind and Water
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Drifting Together
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Track Record
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Mortis Interruptus
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Return of the Hunter Gatherer
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Prime Alignment
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Spectacles
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Twisted Faces in the Street
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Hunters
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Holy Cow
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How do you Speak to an Angel?
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Nosing Ahead in the Boat Race
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The Isle of the Head
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Thames Mudlark
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Eat Crow
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Man in the Iron Mask
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The Owl and the Pussy
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The Owl and the Pussy
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Cut Price Market
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Sirens
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Abridgement
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Face Off
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Prosthesis
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Cupid’s Bow
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Airdrop
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Airdrop
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Semi-detached
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The Boarhound and the Boar
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The Boarhound and the Boar
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Peak District Profiles
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Dolliderm
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Ramifications
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Mistress Scraper
Heteroglyphs 2016-2018
“He recalls having sat there in days gone by, days so remote he doubts whether he really experienced them. It may have been someone on my behalf, perhaps with the same face and name, but some other person.”
“Heteroglyph” is a word I coined for “assemblage” to distinguish my purposes from those of better-known exponents like Grosz, Schwitters, Marisol and Rauschenberg. Most of the Heteroglyphs are wall-mounted and the earlier ones are typically much larger than those that were made from 2016-18. Most consist of components mounted on a backboard, which can be as simple as a thick piece of plywood but include, plastic, metal, paneling from a piano, chair seats and sides, polystyrene foam and printer components. Among fragments attached to these surfaces, ceramic limbs and heads - pre-modelled are nearly ubiquitous. The rest is mostly found objects or fragments thereof.